Synopsis

The Breeders perform "Cannonball" with loose, playful energy in a stark garage-like space, surrounded by brick walls, cables, and a large window. The performance is interrupted by surreal images, including a cannonball rolling through suburban streets and Kim Deal singing underwater. Close-ups of the Deal sisters and the rest of the band emphasize the song's raw chemistry, while jump cuts, odd angles, and deliberately rough textures match the track's collision of distorted guitars, heavy bass, and sudden shifts in mood.

Factoids & Trivia

• Released in 1993 as the lead single from *Last Splash*, the video helped turn The Breeders from an admired alternative-rock project into a major MTV presence.

• The cannonball rolling through the street was filmed in Los Angeles' Miracle Mile area, contrasting the band's intimate performance setting with a deliberately oversized, absurd object.

• Kim Deal's underwater vocal shot became one of the video's most recognizable images. The visual's strange, unpolished quality fits a song that was built around feedback, abrupt pauses, and an intentionally unconventional arrangement.

• Deal has said that the song was inspired in part by the writings of the Marquis de Sade. That context gives the playful aggression of the performance a darker edge, even though the video itself avoids a literal narrative.

• The song's opening microphone test came from Deal experimenting with her brother's harmonica microphone. The distorted "check, check" effect became one of the track's defining sounds and is preserved in the video.