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UB 40 - Labour Of Love

Music Video | 1984
ArtistUB 40
SongLabour Of Love
AlbumLabour Of Love
DirectorBernard Rose
GenreRaggea
IntroNo
OutroNo
LabelA & M Records
Sound MixStereo
Technical Specificationscolour - format unknown

Wiki

Synopsis

Set in and around Birmingham, this black-and-white long-form film follows fictionalized versions of UB40 as they juggle everyday jobs, family tensions, romance and life around local pubs, clubs and scrapyards. At its center is a rivalry between brothers Ali and Robin Campbell, who both pursue the same woman. The story moves between gritty realism and comic melodrama, while performances of songs from the Labour of Love album are woven into the narrative rather than presented as completely separate videos.

Factoids & Trivia

  • The film was released on VHS on September 27, 1984, as a companion to UB40's fourth studio album, Labour of Love.
  • It runs for roughly half an hour and was filmed in black and white, giving the production a deliberately down-to-earth, realist appearance.
  • UB40 members, friends and associates played the characters. The romantic storyline used Bernadette McNamara, who was Mickey Virtue's real-life girlfriend at the time.
  • The screenplay was written by Bernard Rose and saxophonist Brian Travers. The project was produced by Travers, who also helped shape its concept.
  • The music videos for "Red Red Wine," "Please Don't Make Me Cry" and "Cherry Oh Baby" were edited from footage in the film. It was therefore conceived as one continuous story with musical sequences, rather than simply a collection of unrelated promotional clips.
  • The story incorporates social details associated with the band's Birmingham background, including working-class jobs, police harassment and racial tension.
  • Several of the videos connected with the project attracted controversy or were reportedly banned by the BBC, adding to the film's outsider reputation.
  • Labour of Love was UB40's first album made entirely from cover versions. The film extended that idea by presenting the songs as part of a shared world of characters and relationships rather than as isolated singles.
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