Synopsis

A motorcycle races through Vancouver in a tense, first-person journey filmed from the rider's point of view. The route cuts through downtown streets, traffic lights and open roads as the city slips past in a blur of motion, engine noise and golden-hour light. The ride eventually leaves the urban landscape behind, arriving at a scenic overlook where the video's kinetic momentum gives way to a quiet, unexpected reunion. The whole piece unfolds as a sleek, continuous chase toward a meeting that mirrors its cinematic inspiration.

Factoids & Trivia

• The video is a direct homage to Claude Lelouch's 1976 short film "C'etait un rendez-vous," which follows a high-speed drive through Paris. Destroyer's version shifts the viewpoint to a woman riding a motorcycle through Vancouver.

• The production was filmed in Vancouver and preserves the sensation of a single uninterrupted journey, with the camera remaining locked to the vehicle's perspective rather than cutting between conventional performance shots.

• The video uses the motorcycle's engine and road noise as part of its soundscape, creating a physical counterpoint to the polished, soft-rock atmosphere of "Savage Night at the Opera."

• The song appears on Destroyer's 2011 album "Kaputt," and the video was released during the album's promotional campaign in late August and early September 2011.

• Production credits list Border Patrol Films, producer Lisa Wayne and stunt performer Michelle Pezel.

• The video's closing encounter deliberately echoes the rendezvous at the end of Lelouch's film, making the reference structural rather than merely visual.