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Tori Amos

So far we've got credits spanning the years %1 to %2.

Works

1999
Tori Amos - 1000 Oceans
Music Video
1999
Tori Amos - Bliss
Music Video
1998
Tori Amos - Raspberry Swirl (U.K. version)
Music Video
1998
Tori Amos - Jackie's Strength
Music Video
1998
Tori Amos - Spark
Music Video
1998
Tori Amos - Raspberry Swirl (U.S. version)
Music Video
1997
Tori Amos - Professional Widow
Music Video
1996
Tori Amos - I'm On Fire
Music Video
1996
Tori Amos - Hey Jupiter
Music Video
1996
Tori Amos - Talula
Music Video
1996
Tori Amos - Caught A Lite Sneeze
Music Video
1995
Tori Amos - I Wanna Get Back With You
Music Video
1995
Tori Amos - Cornflake Girl (version 2: European version)
Music Video
1994
Tori Amos - Pretty Good Year
Music Video
1994
Tori Amos - Past The Mission
Music Video
1994
Tori Amos - God
Music Video
1994
Tori Amos - Cornflake Girl (version 1: US version)
Music Video
1993
Tori Amos - Silent All These Years
Music Video
1992
Tori Amos - Winter
Music Video
1992
Tori Amos - Crucify
Music Video
1992
Tori Amos - China
Music Video
1988
Tori Amos - The Big Picture
Music Video
 
Tori Amos - Trouble's Lament
Music Video
 
Tori Amos - Trouble's Lament Music Video
Music Video
 
Tori Amos - Flavor
Music Video
 
Tori Amos - Maybe California
Music Video
 
Tori Amos - Welcome To England
Music Video
 
Tori Amos - Strange Little Girl
Music Video
 
Tori Amos - Mary
Music Video
 
Tori Amos - Big Wheel
Music Video

Wiki

Biography

Tori Amos (born Myra Ellen Amos on August 22, 1963) is an American singer-songwriter, pianist, composer, and author. Known for her highly expressive piano playing, wide-ranging vocal style, and psychologically detailed lyrics, she became one of the most distinctive artists to emerge from the alternative music scene of the early 1990s. Her work often combines elements of art rock, pop, classical music, folk, and electronic music.

Amos was born in Newton, North Carolina, and raised largely in the Washington, D.C., area. She showed exceptional musical ability as a child and began studying piano at the Peabody Institute's preparatory division when she was five. Although she was trained in classical music, her later career was shaped as much by popular songwriting and performance as by formal composition. As a teenager and young adult, she performed in piano bars and developed a repertoire that allowed her to move between conventional pop material and more personal writing.

In the mid-1980s, Amos moved to Los Angeles and formed the rock band Y Kant Tori Read. The group released a self-titled album in 1988, but the record's polished pop-rock approach did not establish her as a major artist. The experience led Amos to reconsider her musical direction. She returned to the piano as the central instrument in her work and began writing songs that were more intimate, confrontational, and autobiographical in tone.

Her breakthrough came with the solo album Little Earthquakes, released in 1992. The album addressed sexuality, religion, trauma, family conflict, and the search for personal independence through songs such as "Crucify," "Silent All These Years," "Winter," and "Me and a Gun." Its combination of vulnerable vocals, unusual piano arrangements, and unguarded lyrics made Amos a major figure in the alternative singer-songwriter movement. The album also established the intensely devoted audience that she has often referred to as the "ears with feet."

Amos expanded her musical and thematic range on Under the Pink (1994), which included "Cornflake Girl" and "Pretty Good Year." Her third solo album, Boys for Pele (1996), was her first to be largely self-produced and featured a darker, more experimental sound. The album's dense arrangements, harpsichord textures, and recurring themes of power, gender, religion, and emotional independence marked a significant artistic turning point.

During the following decades, Amos continued to treat each album as a distinct creative project. From the Choirgirl Hotel (1998) incorporated stronger electronic and rock elements, while To Venus and Back (1999) combined new studio material with a live disc. Strange Little Girls (2001) reinterpreted songs written by male artists from a female perspective. Scarlet's Walk (2002) explored American identity and history, and The Beekeeper (2005) brought together themes of loss, relationships, mythology, and spiritual authority.

Her later work has included orchestral music, seasonal material, live recordings, and projects influenced by classical composition. Night of Hunters (2011), released through Deutsche Grammophon, used classical themes as the basis for a contemporary song cycle. She also published the memoir Resistance and, with Ann Powers, the book Tori Amos: Piece by Piece. In 2025, she released Tori and the Muses, an illustrated children's book accompanied by music.

Amos returned to politically charged conceptual songwriting with In Times of Dragons, her 18th studio album, released on May 1, 2026. Framed as an allegorical story about the struggle between democracy and tyranny, the album continued her long-standing interest in myth, social criticism, and transformation. Across her career, Amos has remained identified with the piano-led solo performance while continually reshaping its possibilities within contemporary music.

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