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Herbert Grönemeyer - Da Da Da

Music Video | 2000
ArtistHerbert Grönemeyer
SongDa Da Da
DirectorDaniel Lwowski
Director of PhotographyMartin Ruhe
GenrePop
IntroNo
OutroNo
Production CompanyDoRo/Department M.
LabelEMI
Music Executive ProducerJohn Fabian Bever
Music ProducerJohn Fabian Bever
Production time2 days
Set LocationBerlin, Germany
Sound MixStereo
Technical Specificationscolour - format unknown
Release date

Wiki

Synopsis

Herbert Gronemeyer turns Trio's minimalist New Wave classic into an absurd late-night television commercial. In a brightly colored studio, he presents "Da Da Da" like a miracle slimming product while purple-clad aerobics performers move stiffly and enthusiastically around the set. Furniture, exercise routines, exaggerated gestures and the deliberately cheap presentation create a surreal parody of televised lifestyle advertising. The performance treats the song's emotionally detached lyrics as a piece of cheerful sales patter, giving the cover a playful, campy and knowingly artificial visual identity.

Factoids & Trivia

  • Gronemeyer's version was made for the compilation "Pop 2000 - Das gibt's nur einmal," a project connected with the television documentary series "Pop 2000." The track appeared in 1999, while the related single release followed in January 2000.
  • The arrangement moves away from Trio's stripped-down original by adding a prominent brass-led, South American-flavored sound. Gronemeyer and programmer Alex Silva produced the recording.
  • The single included two versions: the regular recording, running for just over four minutes, and a longer "Brass Mix" lasting about four and a half minutes.
  • The video was produced by DoRo, the Austrian production company associated with many German-language music and television projects.
  • Suzanne Landsfried appears as an intentionally inexperienced aerobics dancer. Her role reinforces the clip's spoof of low-budget exercise programming and exaggerated television advertising.
  • Unlike the original Trio video, which plays out as a darkly comic barroom scene, Gronemeyer's clip turns the song into a colorful piece of televised nonsense. The contrast underlines how differently the same deliberately emotionless lyric can be presented.
  • Gronemeyer's recording reached No. 54 on the German singles chart and remained there for five weeks.
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