Synopsis

Slash's Snakepit tear through "Good To Be Alive" in a performance-driven video that captures the band's raw club energy. Slash dominates the stage with his top-hatted silhouette and fluid guitar work, while Eric Dover, Gilby Clarke, James LoMenzo, and Brian Tichy drive the song forward. Intercut crowd shots emphasize the close connection between the musicians and the audience, making the clip feel more like a live document than a scripted rock video. The atmosphere is sweaty, loud, and celebratory, matching the song's defiant spirit.

Factoids & Trivia

• The video was shot mostly live, rather than built around a scripted storyline or elaborate set.

• Much of the footage came from Slash's Snakepit's opening show at the Six One Six Club in Memphis on March 31, 1995. MTV was present to record the event.

• The crowd's close interaction with the band was central to the video's appeal. Slash wanted Snakepit to return to a direct, club-sized connection with the audience after the arena-scale experience of Guns N' Roses.

• The performers in the video are the 1995 touring lineup: Slash, Eric Dover, Gilby Clarke, James LoMenzo, and Brian Tichy.

• That lineup differed from the musicians who recorded the album. Matt Sorum and Mike Inez played on the studio version, while Tichy and LoMenzo joined for the tour.

• "Good To Be Alive" appeared alongside "Beggars & Hangers-On" on a 1995 Geffen promotional video release for the album *It's Five O'Clock Somewhere*.

• The clip functions as a time capsule of Snakepit's short first era, preserving the band's original touring chemistry before its members returned to other projects.