Synopsis

George Michael arrives at a nightclub and follows the camera into a surreal, celebratory crowd. As he moves through the room, multiple versions of Michael and Mary J. Blige appear, singing, dancing, and interacting in carefully coordinated groups. The pair are presented less as a conventional on-screen duet than as recurring presences multiplied throughout the club. The playful visual concept turns the Stevie Wonder cover into a buoyant late-1990s pop-soul spectacle built around repetition, choreography, and digital compositing.

Factoids & Trivia

• The song is a cover of Stevie Wonder's 1976 classic and was recorded for George Michael's 1998 greatest-hits album, *Ladies & Gentlemen: The Best of George Michael*.

• The video was released in January 1999 to promote the duet, which became a top-10 hit in several European countries, including the United Kingdom, Italy, Spain, the Netherlands, and Hungary.

• Michael originally suggested presenting two choirs made up of multiple versions of himself and Blige. The nightclub setting was developed as a way to turn that idea into a moving narrative.

• The performers' many appearances were created through visual-effects compositing. The camera's route through the club had to be planned precisely so that the separate performances could be combined convincingly.

• A stand-in carrying a small boombox was used during preparation to map Michael's movement and synchronize the camera's path with the song before the final shots were assembled.

• Despite its European success, the single was not released in the United States. Michael later said that the decision was connected to the fallout from his 1998 arrest in Beverly Hills.