| Artist | Billy Joel |
| Song | Goodnight Saigon |
| Album | The Nylon Curtain |
| Album | Greatest Hits Volume One And Two |
| Album | Greatest Hits Volume One |
| Album | The Ultimate Collection |
| Album | Two And Three Collection |
| Album | The Essential Billy Joel |
| Director | Jay Dubin |
| Director | Arnold Levine |
| Music | Billy Joel |
| Genre | Rock |
| Intro | No |
| Outro | No |
| Production Company | Arnold Levine |
| Label | Columbia Records |
| Sound Mix | Stereo |
| Technical Specifications | colour - format unknown |
The video exists in two contrasting forms. The original studio-version clip juxtaposes young boys playing with plastic toy soldiers and television footage from the Vietnam War, creating an unsettling link between childhood games and real combat. After that version was withdrawn, the better-known replacement presents Billy Joel performing live at Nassau Veterans Memorial Coliseum, intercut with photographs of American soldiers in Vietnam. The stark concert-and-portrait treatment keeps the focus on comradeship, loss, and the memory of men sent into battle.
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We met as soul mates On Parris Island We left as inmates From an asylum And we were sharp As sharp as knives And we were so gung ho To lay down our lives We came in spastic Like tameless horses We left in plastic As numbered corpses And we learned fast ... |