Synopsis

Set in a futuristic children's psychiatric hospital in Osaka, the video follows a young girl and her small dog as they escape from a locked ward. Two oversized security guards pursue them through stark corridors and utility rooms, but the chase quickly becomes an absurd, hyperactive battle of slapstick, karate and body-swapping surrealism. The action is cut with remarkable precision to Squarepusher's frantic breakbeats, turning every alarm, footstep and physical gag into part of the track's rhythmic machinery.

Factoids & Trivia

• The hospital setting was filmed at Northwick Park Hospital in London, rather than in Japan.

• Tom Jenkinson appears only indirectly, on a television monitor showing an interview with Squarepusher. This was particularly appropriate for the American release, where the musician remains an elusive presence while the characters take over the video.

• The clip became closely associated with the American release of *Big Loada*, which was issued through Nothing Records, the label founded by Trent Reznor.

• The video's central visual joke involves the girl and her dog switching minds with one of the security guards, pushing the hospital chase into deliberately cartoonish science-fiction territory.

• The editing makes the track feel as if it was written for the action. Physical movements, alarms and impacts are synchronized so tightly with the percussion that the video resembles a live visualization of the music rather than a conventional narrative promo.

• The vocal phrase in the track was not written as a reference to Aphex Twin's "Come to Daddy." Jenkinson has said that his line predated that song, despite the two artists later becoming strongly linked through their unsettling Chris Cunningham videos.

• The video won Video of the Year, Alternative Video of the Year and Best Editing in a Music Video at the 1999 MVPA Awards. It also received Music Week CAD Awards recognition for Best Video of 1998.