Synopsis

On a deliberately theatrical soundstage, The Cure perform amid painted backdrops, oversized props and rapidly shifting scenes inspired by early silent cinema. The band's playful performance gradually dissolves into controlled chaos as costumed figures and extras move through the set, interrupting the musicians and knocking the production off balance. Robert Smith and his bandmates embrace the visual absurdity, turning the video into a bright, mischievous counterpart to the song's uncomplicated romantic optimism. The finale leaves Simon Gallup peering into the camera in a bridal veil with champagne.

Factoids & Trivia

• The video was filmed in approximately two hours, an unusually brief shoot for one of Tim Pope's elaborate Cure productions.

• Its visual style pays tribute to French silent-film pioneer Georges Melies, particularly his 1907 short "The Eclipse, or the Courtship of the Sun and Moon." The painted celestial backdrops and theatrical staging reflect that influence.

• The opening includes Pope riding a rocking horse and shouting stage directions through a plastic megaphone after inhaling helium, giving the video an intentionally cartoonish start.

• A figure dressed in the style of Oliver Hardy appears among the extras, adding another silent-comedy reference to the production.

• The drum bears a handwritten "The Cures" rather than the band's correct name, one of the video's easily missed visual jokes.

• Producer Dave M. Allen appears in the background holding props.

• Robert Smith later named the video as one of his three favorite Cure videos.

• The video won the European Viewer's Choice award for Best Music Video at the 1992 MTV Video Music Awards.