Synopsis

Sexydance turn the end of the world into a glamorous, sensual party. The video moves between the trio performing and a decadent gathering where guests flirt, kiss, touch and lounge together, while three men appear in bed. Rather than depicting disaster directly, it treats emotional absence as the real apocalypse: the singer becomes consumed by longing for someone who has disappeared. The bright electropop energy, provocative styling and intimate scenes create a playful contrast with the song's anxious lyrics about uncertainty, separation and wanting love before everything falls apart.

Factoids & Trivia

• "Fin del Mundo" appears on Sexydance's first studio album, also titled "Fin del Mundo," released in 2012.

• The official video was uploaded on February 28, 2013. Its credits identify Amador Cine as the production company.

• The production involved a large crew covering art direction, styling, makeup, hair, graphic design, acting direction, photography and multiple camera positions.

• The video's wardrobe was partly supplied by Vincent&Miles, while the extras' clothing came from La Polilla Vestuario. The shoes worn by Sexydance were made by Lucas Sanchez Calzado.

• The cast of models includes Federico Bongiorno, JuanMa Lanana, Pol Lacube, Humberto Costa, Mariano Lutzky and Mauro Pierella.

• Club Espanol Buenos Aires is listed among the video's special thanks, alongside a range of individuals and businesses connected with the production.

• Sexydance formed while its members were attending school in the southern area of Buenos Aires. Alex Del Rio and Aldana Della Sala had known each other since kindergarten and began writing songs together during high school.

• The band developed a following through the web before reaching the finals of MTV's "La Zona de Combate" competition with "Neuroticos Anonimos."

• A contemporary interview in Pagina/12 described the clip as a version of the apocalypse built around sensuality, glamour and partying rather than catastrophe. The article also noted that the album itself was much more celebratory and dance-oriented than its title suggested.