| Artist | 'N Sync |
| Song | It's Gonna Be Me |
| Album | No Strings Attached |
| Director | Wayne Isham |
| Music | Max Martin |
| Genre | Pop |
| Intro | Yes |
| Outro | No |
| Additional Engineering | Charles McCrorey |
| Additional Recording | Battery Studios (New York City) |
| Choreography | Darrin Henson |
| Engineering | Chris Trevett |
| Full Story | Video takes place in a toy store. It's just like _Toy Story_ when the toys come to life. The guys (as limited-edition action figures) want to get out of their shelves, but that meant other toys, too, like a plastic army combat, and a whole collection of Barbie Dolls. At the end, their dream comes true, and are placed in the hands of Kim Smith. |
| Label | Jive |
| Lyrics | Rami/Andreas Carlsson |
| Music Producer | Rami |
| Musicians | Max Martin |
| Musicians | Justin Timberlake |
| Musicians | Protools Engineer - John Amatiello |
| Notes | (Song) This is their fourth song ever written by the Cheiron guys at Sweden. (Video) This is their second video in a row directed by Wayne Isham (_No pain, no Wayne!_ Isham proclaims at the end of the shoot) and it's his first video since _I Disappear_ by Metallica and _Try Again_ by Aaliyah to use his patented zoom effect (used in Aaliyah, Metallica, Backstreet Boys, 98 Degrees, Will Smith, and Ricky Martin music videos) |
| Recording Artist/Recorded by | 'NSYNC |
| Recording Studio | Cheiron Studios (Sweden) |
| Runtime | 3:11 |
| Sound Mix | Stereo |
| Talent | Justin Timberlake (Himself) |
| Talent | Lansten _Lance_ Bass (Himself) |
| Talent | Kim Smith (Store customer (Same person as in _Bye, Bye, Bye_ video)) |
| Talent | Joshua Scott _JC_ Chasez (H) |
| Talent | Joseph Anthony Fatone, Jr. (Himself) |
| Talent | Christopher Alan Kirkpatrick (Himself) |
| Technical Specifications | colour - format unknown |
Inside a brightly lit toy store, each member of *NSYNC appears as a plastic doll sealed in a display box. They break free and compete with toy soldiers and other dolls for the attention of a shopper. After several comic setbacks, the group spots the woman again and performs a synchronized routine on the shelves. She finally buys them, triggering a transformation from miniature figures into life-sized versions of the band. The toy-store action is intercut with shots of the real *NSYNC performing in a stylized, strobe-lit set.