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Social Distortion - When The Angels Sing

Music Video | 1996
ArtistSocial Distortion
SongWhen The Angels Sing
DirectorNigel Dick
Director of PhotographyRussell Swanson
EditorBruce Ochmanek
Art DirectorJeremy Reed
Year-Date1996-November9,10
IntroNo
OutroNo
Production CompanyDickfilms[df342](Gregg Cundiff)
NotesFirst this video had to be set in Baja, but after long scouting they decided to make it _at home_.
Production time2 days
Script/Written byNigel Dick
Set LocationVeluzat Ranch, Saugus, California, USA
Sound MixStereo
Technical Specificationscolour - format unknown

Wiki

Synopsis

A solemn procession moves toward a graveyard as Social Distortion perform "When the Angels Sing" inside a stark religious chapel. The imagery of mourners, graves, candles and church architecture gives the song's meditation on death and faith a ceremonial setting. Mike Ness delivers the performance with restrained intensity, while the black-and-white visual style and funereal atmosphere emphasize the track's emotional weight. Rather than presenting a conventional narrative, the video turns the song into a compact memorial, balancing punk-rock directness with spiritual and gothic imagery.

Factoids & Trivia

  • The video was released in 1996, alongside Social Distortion's fifth studio album, "White Light, White Heat, White Trash."
  • Mike Ness wrote the song after the death of his grandmother in December 1993. He later described the writing process as an awakening and said that the song expressed feelings that did not fully come out during the funeral.
  • The religious imagery is closely tied to the song's subject matter. The chapel setting, funeral procession and graveyard visuals echo Ness' questioning of God, mortality and the possibility of an afterlife.
  • "When the Angels Sing" was issued as a radio single and received an official music video, but it did not match the stronger rock-radio performance of "I Was Wrong" from the same album.
  • The track was later included on Social Distortion's "Greatest Hits" compilation, helping preserve the song's place as one of the band's more reflective and personal recordings.
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