Synopsis

Marilyn Manson appears in a lavish, shadowy interior, shifting between glamorous poses in a black dress and more exposed, confrontational tableaux. The imagery draws on religious symbolism, erotic photography, and theatrical displays of gender ambiguity. Blood-soaked figures, stylized models, and a transformation resembling occultist Aleister Crowley create an atmosphere that is simultaneously seductive and disturbing. Rather than following a conventional narrative, the video presents Manson as an androgynous icon moving through a decadent, corrupted fantasy world.

Factoids & Trivia

• The video was filmed at Los Angeles' Ambassador Hotel, the site of Robert F. Kennedy's assassination in 1968.

• The clip uses tableaux vivants, with performers holding carefully arranged poses to create a series of living pictures.

• Its visual language combines pin-up imagery, distorted Christian iconography, and deliberate gender ambiguity. Several models initially appear to be women before the video reveals otherwise.

• One figure takes on an appearance associated with Aleister Crowley, whose occult writings had influenced Manson's artistic persona.

• The Sneaker Pimps did not appear in the video, despite being credited as collaborators on the song. Kelli Ali contributed background vocals to the recording.

• Manson originally discussed a different concept with Jonathan Glazer. After Manson rejected it, Glazer adapted the idea for Radiohead's "Karma Police" video.

• The video was included in the 1997 MTV special "Beavis and Butt-Head Do Thanksgiving."

• Contemporary television outlets reportedly gave the clip limited exposure because of its treatment of gender and religious imagery.

• Manson later described the video as "one part sexy and one part dark," and has identified the song as one of his personal favorites.