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The Rapsody feat. Warren G. & Sissel - Prince Igor

Music Video | 1997
ArtistThe Rapsody
ArtistThe Rapsody
ArtistWarren G. (featuring)
ArtistSissel (featuring)
ArtistKurupt
ArtistSnoop Doggy Dogg (featuring)
ArtistIce-T (featuring)
ArtistWarren G. (featuring)
ArtistDub C. (featuring)
SongPrince Igor
DirectorMartin Weisz
GenreRap and Hip Hop
IntroNo
OutroNo
Sound MixStereo
Technical Specificationscolour - format unknown
Release date

Wiki

Synopsis

Warren G appears in a stark, desert-based compound that resembles a secret military or black-ops facility. He performs amid industrial corridors, surveillance-like spaces, and barren outdoor locations, while a pale, ghostly woman appears as the visual embodiment of Sissel's operatic refrain. The video cuts between Warren's grounded West Coast rap presence and the song's eerie classical atmosphere, creating a surreal meeting point between street imagery, science-fiction unease, and old-world drama.

Factoids & Trivia

  • "Prince Igor" was released in 1997 as the lead single from *The Rapsody Overture: Hip Hop Meets Classic*, a concept project pairing American rappers with European classical and opera singers.
  • The song is based on music from Alexander Borodin's opera *Prince Igor*, particularly the Polovtsian Dances. Sissel sings the Russian refrain, while Warren G handles the rap sections.
  • Warren G reused the same rap lyrics from "Reality," a track on his 1997 album *Take a Look Over Your Shoulder*.
  • Sissel reportedly had only about 30 minutes to learn the Russian lyrics before recording. A Russian taxi driver named Igor helped her with the pronunciation after taking her to the studio.
  • The single became one of Europe's most successful rap-classical crossovers, reaching No. 1 in Norway and Iceland and entering the Top 10 in several other European countries.
  • The video's desert compound and ghostly imagery give the classical material a science-fiction setting rather than attempting to recreate the opera's original historical world.
  • The track was part of a wider late-1990s trend toward combining hip-hop production with recognizable classical melodies, but its use of a Russian operatic refrain made it one of the more distinctive examples.
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