Synopsis

EXITMUSIC's "The Hours" unfolds as a dark, dreamlike portrait of emotional distance and romantic unease. Aleksa Palladino appears in doubled form, creating the impression of two parallel selves or fractured reflections, while Devon Church is framed within the same stark, spectral world. Bleary imagery, drifting smoke, shadowy spaces, and slow visual transitions mirror the song's gradual build. Rather than following a literal storyline, the video uses repetition and surreal atmosphere to suggest longing, intimacy, and the disorienting passage of time.

Factoids & Trivia

• The video premiered in August 2011 during the promotional campaign for EXITMUSIC's From Silence EP.

• "The Hours" was released through Secretly Canadian and became one of the EP's most prominent tracks.

• The visual concept is built around doubling: Palladino appears as two versions of herself, giving the video an uncanny, mirror-like quality.

• Smoke, stark lighting, and translucent overlays create a spectral texture that matches the song's slow-burning dream-pop arrangement.

• Contemporary coverage described the clip as a "dreamscape," emphasizing its romantic and unsettling mood rather than a conventional narrative.

• The song's visual presentation helped establish the band's early image as atmospheric, gothic, and cinematic.