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Sean Paul

So far we've got credits spanning the years %1 to %2.

Works

2010
Sean Paul - Hold My Hand
Music Video
2006
Sean Paul - Never Gonna Be The Same
Music Video
2006
Sean Paul feat. Keyshia Cole - Give It Up To Me
Music Video
2006
Sean Paul - Temperature
Music Video
2006
Sean Paul - Ever Blazin
Music Video
2005
Sean Paul - Temperature
Music Video
2005
Sean Paul - We Be Burnin'
Music Video
2004
Erick Sermon feat. Sean Paul - Feel It
Music Video
2003
Sean Paul feat. Sasha(2) - I'm Still In Love With You
Music Video
2003
Sean Paul - Like Glue
Music Video
2003
Beyoncé feat. Sean Paul - Baby Boy
Music Video
2003
Sean Paul - Get Busy
Music Video
2002
Blu Cantrell feat. Sean Paul - Breathe
Music Video
2002
Sean Paul - Gimme The Light
Music Video
2002
Jim Crow feat. Sean Paul & Jazzy Pha - Holla At A Playa
Music Video
2000
Sean Paul feat. Mr. Vegas - Hot Gal Today
Music Video
 
Busta Rhymes feat. Sean Paul & Spliff Star - Make It Clap (Remix)
Music Video
 
Sean Paul - Give It Up To Me
Music Video

Wiki

Biography

Sean Paul Ryan Francis Henriques (born January 9, 1973) is a Jamaican rapper, singer and songwriter whose rapid delivery, distinctive patois phrasing and dancehall-based production helped carry Jamaican popular music into the international mainstream. Born in Kingston, Jamaica, he began recording in the 1990s and developed his reputation through performances and collaborations within the island's dancehall scene.

Paul released his debut album, Stage One, in 2000 through VP Records. The album established his rhythmic vocal style and introduced the blend of dancehall, reggae, hip-hop and R&B that would define his career. His breakthrough arrived with Dutty Rock in 2002, an album that presented dancehall in a polished, highly accessible pop format without removing its Jamaican identity.

Dutty Rock produced a run of internationally successful singles, including "Gimme the Light," "Get Busy," "Like Glue" and "I'm Still in Love with You." "Get Busy" became Paul's first US Billboard Hot 100 number-one single, while the album itself reached the US Top 10 and became a major commercial success in several other markets. Its expanded edition also featured "Baby Boy," Paul's collaboration with Beyonce, which topped the US singles chart. The album earned Paul the Grammy Award for Best Reggae Album in 2004 and remains the central recording of his career.

Paul followed the breakthrough with The Trinity in 2005. Its singles included "We Be Burnin'," "Ever Blazin'" and "Temperature," the latter becoming another US number-one hit. The album showed Paul extending his sound beyond the formula of Dutty Rock, combining traditional dancehall rhythms with electronic textures and contemporary R&B songwriting. He continued this approach on Imperial Blaze (2009), Tomahawk Technique (2012) and Full Frequency (2014).

Throughout the 2010s, Paul became one of pop music's most dependable guest performers. His collaborations included "Breathe" with Blu Cantrell, "Rockabye" with Clean Bandit and Anne-Marie, "Cheap Thrills" with Sia, and "No Lie" with Dua Lipa. He also worked with artists from Latin pop, hip-hop, electronic music and Afrobeats, including Enrique Iglesias, Major Lazer, J Balvin, DJ Snake and Sia. These appearances broadened his audience while reinforcing his role as a bridge between Jamaican dancehall and global pop.

Paul's later albums include Mad Love: The Prequel (2018), Live N Livin (2021) and Scorcha (2022). Live N Livin placed particular emphasis on dancehall collaboration, while Scorcha continued his long-standing interest in crossing styles and generations. Rather than relying solely on nostalgia, Paul has generally treated collaboration as a way to keep dancehall connected to changing international production trends.

As a performer, Paul is known for energetic delivery, repeated vocal hooks and a recognizable melodic cadence that works equally well in club records and pop choruses. His success did not make dancehall a purely mainstream genre, but it demonstrated how a Jamaican artist could preserve the music's language, rhythm and attitude while reaching audiences far beyond the Caribbean. His influence is especially visible in the continuing use of dancehall vocal styles and Jamaican rhythmic patterns in international pop music.

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