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Our Lady Peace

So far we've got credits spanning the years %1 to %2.

Works

1999
Our Lady Peace - One Man Army
Music Video
1997
Our Lady Peace - 4 A.M.
Music Video
 
Our Lady Peace - Clumsy (version 2)
Music Video
 
Our Lady Peace - Hope
Music Video
 
Our Lady Peace - Superman's Dead (version 1: US version)
Music Video
 
Our Lady Peace - Superman's Dead (version 2: Canadian version)
Music Video
 
Our Lady Peace - Clumsy (version 1: U.S. version: Water)
Music Video
 
Our Lady Peace - Naveed
Music Video
 
Our Lady Peace - Star Seed
Music Video
 
Our Lady Peace - The Birdman
Music Video

Wiki

Biography

Our Lady Peace, often abbreviated as OLP, is a Canadian alternative rock band formed in Toronto, Ontario, in 1992. Led throughout its history by vocalist and songwriter Raine Maida, the group became one of Canada's most successful rock acts of the 1990s and early 2000s. Their music combines heavy guitar-based arrangements with shifting dynamics, melodic hooks, introspective lyrics, and Maida's distinctive high-register vocal style.

Maida formed the early version of the band with guitarist Mike Turner while the two were connected to the University of Toronto. Initially known as As If, the group recruited bassist Chris Eacrett and drummer Jeremy Taggart before adopting the name Our Lady Peace, taken from a poem by Mark Van Doren. The band developed a strong live reputation in Toronto and secured a recording deal with Sony Music Canada.

Their debut album, Naveed, was released in Canada in 1994 and reached the United States in 1995 through Relativity Records. The record introduced a muscular but atmospheric form of alternative rock, with the title track and "Starseed" becoming important early songs. Touring with Alanis Morissette helped expand the band's North American audience, and the group quickly established itself beyond the Canadian market.

Eacrett was replaced by Duncan Coutts before the band's second album, Clumsy, arrived in 1997. The album marked a major commercial breakthrough. Tracks such as "Superman's Dead," "4 A.M.," and "Clumsy" showed the band refining its songwriting without abandoning its heavier edge. Clumsy became one of the defining Canadian rock albums of its era, earning multi-platinum status in the United States and diamond certification in Canada.

The band continued to develop its sound on Happiness Is Not a Fish That You Can Catch (1999), which introduced more keyboards and synthesizers, and Spiritual Machines (2000). The latter was an ambitious concept album inspired by futurist Ray Kurzweil's ideas about technology, artificial intelligence, and the future of humanity. Kurzweil's recorded voice appears throughout the project, which remains one of the band's most experimental and critically regarded releases.

Turner left the group after Spiritual Machines and was replaced by guitarist Steve Mazur. With producer Bob Rock, Our Lady Peace pursued a more polished and direct sound on Gravity (2002). The album produced major international singles including "Somewhere Out There" and "Innocent," bringing the band some of its broadest mainstream exposure. Healthy in Paranoid Times followed in 2005, while the compilation A Decade summarized the group's first ten years and renewed interest in its catalog.

After a period of reduced activity, the band returned with Burn Burn (2009) and Curve (2012). Taggart departed in 2014, and drummer Jason Pierce subsequently became part of the band's touring and recording lineup. Somethingness appeared in 2017, followed by Spiritual Machines II in 2022. Produced by Dave Sitek, the sequel revisited the technological themes of its predecessor while using more electronic and dance-oriented textures. The project also included a collaboration with Pussy Riot's Nadya Tolokonnikova and marked the return of Mike Turner as a contributor.

Our Lady Peace continued its anniversary campaign with the OLP30 releases in 2024, combining new material with selections from the band's earlier catalog. Across several decades, the group has maintained a place in Canadian rock through its ability to balance arena-sized choruses with unusual vocal arrangements, conceptual songwriting, and a willingness to change direction from album to album.

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