Synopsis

A flock of crows takes over a park, but these birds are not content with pecking at scraps. Equipped with human arms, they strut, gesture, dance, and play instruments in rhythm with Fulton Lights' playful electronic pop. Their comic movements eventually build toward a full performance, with one crow stepping forward as an unlikely vintage-style frontman. The video turns ordinary urban wildlife into an eccentric dance troupe, creating a surreal, deadpan spectacle from the contrast between natural bird behavior and carefully synchronized human gestures.

Factoids & Trivia

• The song appears on Fulton Lights' 2010 EP "3 Songs," released on September 10, 2010.

• The video began after the filmmaker contacted Andrew Spencer Goldman, the musician behind Fulton Lights, and offered to make a video for free. The project was intended as a calling card for future work.

• Much of the concept came from observing how crows walk. Their shoulder movement suggested that they could plausibly be given human arms, turning their natural strut into a comic dance routine.

• The production was largely a one-person operation. The footage was shot, edited, and composited over a period of several months.

• A friend named Dave supplied the human performance, wearing a suit and matching the movements of the filmed crows. The two layers were then combined in post-production.

• The crows were filmed around Clapham Common. Attempts to lure them in front of a greenscreen failed because the birds avoided the artificial setup, so the most difficult sections had to be created through rotoscoping.

• The climactic bird performance was conceived as a 1960s-style pop-star moment, with one crow functioning as the group's improbable frontman.

• The video was shortlisted for the 2011 UK Music Video Awards and was also shown at BUG, the music-video night associated with Adam Buxton and the BFI.

• Its success helped establish the filmmaker's profile and led to later music-video work, including projects for Graham Coxon.

• Festival credits list Adrian Westaway on camera and David Watson for the arms used in the production.