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Maurane

Works

 
Maurane - Pas Gaie La Pagaille
Music Video
 
Maurane - Sur Un Prélude De Bach
Music Video
 
Maurane - Pour Les Ames Pour Les Hommes
Music Video
 
Maurane - Le Paradis C'Est L'Enfer
Music Video
 
Maurane - Les Yeux Fermés
Music Video
 
Maurane - Fais-Moi Une Fleur
Music Video
 
Maurane - L'Un Pour L'Autre
Music Video
 
Maurane - Quand Les Sangs
Music Video
 
Maurane - Différente Quand Je Chante
Music Video

Wiki

Biography

Maurane was the stage name of Claudine Luypaerts (November 12, 1960 - May 7, 2018), a Belgian singer and actress whose powerful, flexible voice made her one of the most respected interpreters in Francophone music. Her work combined the traditions of French chanson with jazz, blues, pop and elements of world music. She was especially known for her expressive phrasing, strong sense of swing and ability to move between intimate ballads and more rhythmically demanding material.

Born in Ixelles, Brussels, Maurane grew up in a musical family. Her father, Guy-Philippe Luypaerts, was a composer and music educator, while her mother taught piano. She studied piano, singing and music theory and began appearing in singing competitions during her adolescence. In 1979, she took part in Brel en mille temps, a stage production devoted to Jacques Brel. The experience introduced her to songwriter Daria de Martynoff and to French producer Pierre Barouh, who signed her to the Saravah label.

Her first singles, released under the name Claude Maurane, included "J'me roule en boule" and "Fais soleil." They attracted limited commercial attention, and during the early 1980s she supported herself through small stage engagements, backing vocals and performances in cafes and on the street. A successful appearance at Paris' Sentier des Halles in 1983 helped establish her as a distinctive live performer. Her first album, Danser, followed in 1986. That same year, she recorded HLM with Belgian jazz musicians Steve Houben and Charles Loos. The trio later reunited for the album Un ange passe in 2005.

A major turning point came in 1988, when Michel Berger cast Maurane as Marie-Jeanne, the waitress automaton, in a new production of the rock opera Starmania by Berger and Luc Plamondon. Although she eventually left the production to pursue an independent career, the role introduced her to a much wider audience. The name Maurane itself was inspired by Francis Morane, a director associated with Starmania.

Her self-titled 1989 album, released by Polydor, brought her broad commercial success. It included "Toutes les mamas," "Pas gaie la pagaille" and "Tout pour un seul homme," and led to performances at the Olympia in Paris and an international tour. Maurane reached a new artistic and commercial peak with Ami ou ennemi in 1991. The album featured "Ca casse," "Du mal," "Mentir" and, most importantly, "Sur un prelude de Bach," a song written by Jean-Claude Vannier. Her success was consolidated through extensive touring and live releases, including Une fille tres scene. In 1994, she won the Victoire de la musique for Best Francophone Artist.

Maurane continued to explore different musical directions on albums such as Differente, Toi du monde and Quand l'humain danse. She also became known for collaborations, including the hit duet "Tu es mon autre" with Lara Fabian, as well as projects with artists such as Veronique Sanson, Marc Lavoine and Catherine Lara. Her tribute album Nougaro ou l'esperance en l'homme, released in 2009, reflected her long-standing admiration for Claude Nougaro and her affinity with jazz-inflected French songwriting. She later served as a judge on the television talent show Nouvelle Star from 2012 to 2014.

Her final studio album released during her lifetime was Ouvre, issued in 2014. Vocal-cord problems forced her to withdraw from the stage in 2016, but she returned briefly in May 2018 for performances honoring Jacques Brel. Maurane died in Schaerbeek, Brussels, on May 7, 2018, aged 57. Her planned Brel tribute was completed after her death by her daughter and pianist Philippe Decock and released as Brel in October 2018. Her recordings remain valued for their combination of technical command, emotional directness and musical openness.

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