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Stray Cats

So far we've got credits spanning the years %1 to %2.

Works

1984
Stray Cats - Stray Cats Video
Music Video
1983
Stray Cats - Sexy And 17
Music Video
1981
Stray Cats - Stray Cat Strut
Music Video
 
Stray Cats - Bring It Back Again
Music Video
 
Stray Cats - The Race Is On
Music Video
 
Stray Cats - Little Miss Prissy
Music Video
 
Stray Cats - Rock This Town
Music Video
 
Stray Cats - (She's Sexy + 17
Music Video
 
Stray Cats - I Won't Stand In Your Way
Music Video

Wiki

Biography

The Stray Cats are an American rockabilly trio formed in Massapequa, New York, in 1979. Built around guitarist and vocalist Brian Setzer, upright bassist Lee Rocker, and drummer Slim Jim Phantom, the group helped bring the sound and image of 1950s rock and roll back into the mainstream during the early 1980s. Their music combined rockabilly, rhythm and blues, country, and punk energy, while their pompadours, leather jackets, tattoos, and vintage instruments gave them a sharply recognizable visual identity.

Setzer, Rocker, and Phantom were teenagers when they began playing together in the New York area. Their commitment to an older musical style made them unusual in a period dominated by disco, hard rock, and emerging new wave. Finding limited opportunities at home, the trio moved to London in 1980, where a renewed interest in rockabilly gave them a more receptive audience. There they attracted the attention of producer and musician Dave Edmunds, who helped them secure a recording deal and produced their first records.

The band's debut album, Stray Cats, appeared in the United Kingdom in 1981. It introduced the group's lean, energetic approach through songs such as "Runaway Boys," "Rock This Town," and "Stray Cat Strut." The album's success established the Stray Cats as leaders of the contemporary rockabilly revival, while their live performances and distinctive styling made them a natural fit for the rapidly expanding influence of MTV.

Their second British album, Gonna Ball, was less successful, prompting the group to return to the United States. In 1982, EMI America released Built for Speed, a collection drawn largely from the first two British albums. The record became a major commercial breakthrough. "Rock This Town" and "Stray Cat Strut" reached the American Top Ten, and the Stray Cats suddenly occupied an unlikely position at the center of mainstream pop culture. Setzer's forceful guitar playing, Rocker's aggressive slap-bass technique, and Phantom's stripped-down standing-drum style gave the trio a sound that was both historically informed and contemporary.

Rant n' Rave with the Stray Cats followed in 1983 and produced another major hit, "(She's) Sexy + 17." The album also showed the band's interest in doo-wop and other early rock and roll traditions. Despite their success, growing tensions within the group led to a breakup in late 1984. The members pursued separate projects, with Setzer later developing a successful solo career and forming the swing-oriented Brian Setzer Orchestra, while Rocker and Phantom continued working in roots and rockabilly music.

The Stray Cats reunited several times. Rock Therapy appeared in 1986, followed by Blast Off in 1989, Choo Choo Hot Fish in 1992, and Original Cool in 1993. These releases did not match the impact of the band's early work, and the trio again became largely inactive as a recording unit. Their influence, however, continued through later rockabilly, psychobilly, roots rock, and swing revival artists.

After occasional performances and reunion appearances, the original lineup returned to the studio for 40 in 2019, their first album of new material in more than two decades. The record reaffirmed their preference for direct, guitar-led rock and roll. In 2025, the group released the original track "Stampede" and a version of Eddie Cochran's "Teenage Heaven," and the three original members continued performing together, including a 2026 American tour. The Stray Cats remain identified with the early-1980s rockabilly revival, but their lasting importance lies in proving that an unfashionable musical language could once again become vital, popular, and visually powerful.

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