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Mercury Rev

So far we've got credits spanning the years %1 to %2.

Works

1999
Mercury Rev - Goddess On A Highway
Music Video
 
Mercury Rev - Chasing A Bee
Music Video
 
Mercury Rev - Bronx Cheer
Music Video
 
Mercury Rev - Nite & Fog
Music Video
 
Mercury Rev - The Dark Is Rising
Music Video
 
Mercury Rev - Tides Of The Moon
Music Video
 
Mercury Rev - Nite and Fog
Music Video
 
Mercury Rev - Nite and Frog
Music Video
 
Mercury Rev - Carwash Hair
Music Video
 
Mercury Rev - Goddess On A HiWay (version 1)
Music Video
 
Mercury Rev - Goddess On A HiWay (version 2)
Music Video
 
Mercury Rev - Opus 40 (B&W version)
Music Video
 
Mercury Rev - Opus 40 (Color version)
Music Video
 
Mercury Rev - Something For Joey
Music Video
 
Mercury Rev - Young Man's Stride
Music Video

Wiki

Biography

Mercury Rev is an American rock band formed in 1989 in Buffalo, New York. Emerging from the experimental art and music scene around the State University of New York at Buffalo, the group initially developed music for student films and improvised audiovisual projects. Its founding circle included singer David Baker, guitarists Jonathan Donahue and Sean "Grasshopper" Mackowiak, bassist and producer Dave Fridmann, flutist Suzanne Thorpe, and drummer Jimy Chambers.

The band's early sound combined psychedelic rock, noise pop, avant-garde composition, and the distorted textures associated with shoegaze. Their debut album, Yerself Is Steam, released in 1991, presented an unusually abrasive and unpredictable form of alternative rock. The follow-up, Boces (1993), pushed the same approach further, using feedback, dense effects, and unstable song structures. Baker's highly distinctive vocals and the band's fascination with dissonance made Mercury Rev a prominent name within the more experimental side of the American indie scene.

Baker left after Boces, and Donahue gradually assumed the role of lead singer. Mercury Rev's third album, See You on the Other Side (1995), marked a period of transition. It retained the band's adventurous instincts but introduced more spacious arrangements, gentler melodies, and a stronger interest in orchestral color. The album was not a major commercial success, and the group subsequently underwent significant internal and creative changes.

Those changes led to Deserter's Songs (1998), the album that transformed Mercury Rev's reputation. Recorded in the Catskills with Fridmann, the record replaced much of the earlier guitar assault with strings, brass, woodwinds, acoustic instruments, and elements of American roots music. Former members of The Band, Levon Helm and Garth Hudson, also contributed. Songs such as "Holes," "Goddess on a Highway," and "Opus 40" helped make the album a critical and commercial breakthrough, particularly in the United Kingdom and Europe. Its dreamlike arrangements and emotionally direct songwriting became the defining template for much of the band's later work.

Mercury Rev followed with All Is Dream (2001), another expansive and highly orchestrated album, then continued to explore different sides of their sound on The Secret Migration (2005) and Snowflake Midnight (2008). The latter incorporated a more overtly electronic palette and was accompanied by Strange Attractor, a free digital release. Throughout this period, Donahue and Grasshopper remained the band's central figures, while Fridmann continued to be closely associated with Mercury Rev as a producer and musician.

Later releases showed the group moving between new material, electronic experimentation, and reinterpretation. The Light in You appeared in 2015, followed by Bobbie Gentry's The Delta Sweete Revisited in 2019, a tribute to Bobbie Gentry's 1968 album featuring a different guest vocalist on each track. In 2024, Mercury Rev released Born Horses, their first album of original songs in nine years. The record introduced a more reflective and spoken vocal style from Donahue while retaining the band's taste for lush, atmospheric arrangements.

With an identity built on reinvention rather than stylistic consistency, Mercury Rev occupy a distinctive place between experimental rock, psychedelic pop, chamber pop, and Americana. Their career is defined by the contrast between the unsettling intensity of their early work and the widescreen emotional beauty of Deserter's Songs and its successors.

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