Synopsis

The Afghan Whigs perform "Going to Town" against vivid primary-colored backdrops, with Greg Dulli taking center stage in a sharply lit, theatrical setup. The band appears in performance shots while silhouetted dancers and dissolving images add a sensual, dreamlike layer. Rather than spelling out the song's Bonnie-and-Clyde-style crime story, the video emphasizes swagger, danger, lust, and spectacle, matching the track's hard-driving funk-rock groove and the noir atmosphere associated with the *Black Love* album.

Factoids & Trivia

• "Going to Town" was released as a single from the Afghan Whigs' 1996 album *Black Love*. In the United States, it was also included on the *Bonnie & Clyde* EP.

• The video is notably more performance-oriented than the album's broader cinematic storyline. Its colored studio backgrounds, spotlighting, dissolves, and dancer silhouettes create a stylized rather than literal interpretation of the song.

• The song's opening and central groove draw strongly on Stevie Wonder-era funk, especially the feel associated with "Superstition." Contemporary commentary also noted the track's connection to the Whigs' longstanding interest in soul and R&B.

• The lyrics present a criminal-romance scenario involving a getaway car, robbery, gasoline, and fire. That Bonnie-and-Clyde imagery helped reinforce *Black Love*'s recurring world of lust, violence, obsession, and doomed antiheroes.

• The Afghan Whigs later performed "Superstition/Going to Town" as a combined live number, making the Stevie Wonder connection part of the band's concert vocabulary as well as the studio arrangement.