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Gladys Knight & The Pips - Save The Overtime For Me

Music Video | 1983
ArtistGladys Knight
ArtistThe Pips
SongSave The Overtime For Me
DirectorKenny Ortega
Director of PhotographyDaniel Pearl
IntroNo
OutroNo
Sound MixStereo
Technical Specificationscolour - format unknown

Wiki

Synopsis

The video presents Gladys Knight and the Pips in a stylized performance setting, combining vocal close-ups, choreographed movement, and scenes of young street dancers. The romantic lyric is treated playfully rather than as a conventional narrative: Knight urges her hard-working partner to come home instead of spending extra hours at work. The polished soul presentation gradually connects with the energy of early hip-hop, using breakdancing and youthful street culture to give the 1983 track a distinctly contemporary edge.

Factoids & Trivia

  • The video features the New York City Breakers, one of the most prominent early b-boy crews, helping make the clip an important meeting point between established R&B and emerging hip-hop culture.
  • It is frequently cited as one of the earliest R&B videos to incorporate hip-hop elements. The appearance came during a formative period for breakdancing, before the style had become a regular feature of mainstream music television.
  • "Save the Overtime (For Me)" became Gladys Knight & the Pips' first No. 1 R&B single since 1974. It topped the Black Singles chart in 1983, although it reached No. 66 on the Billboard Hot 100.
  • The song came from the album "Visions," released during the group's renewed Columbia Records period. Knight and the Pips were taking a more active role in the album's production, marking an important step in their creative independence.
  • Actor and performer Obba Babatunde is also associated with the video. He had appeared in the original Broadway production of "Dreamgirls" before building a screen career.
  • The clip circulated internationally as an introduction to New York street dance. Accounts from dancers and hip-hop historians describe it as one of the videos that helped spread breaking and popping to audiences outside the United States.
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