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DJ Shadow - High Noon

Music Video
ArtistDJ Shadow
SongHigh Noon
DirectorBrian Cross
IntroNo
OutroNo
Sound MixStereo
Technical Specificationscolour - format unknown

Wiki

Synopsis

DJ Shadow's "High Noon" video unfolds as a stark, surreal travelogue rather than a conventional performance piece. Shot in Mexico, it moves through sun-blasted landscapes, monumental ruins, isolated figures, and disorienting visual fragments, creating an atmosphere that feels both ancient and futuristic. The editing follows the track's jagged, sample-built structure, shifting between stillness and bursts of motion. The result is an eerie visual counterpart to the music: tense, dusty, and restless, with the Teotihuacan setting giving the song's ominous instrumental force a sense of mythic scale.

Factoids & Trivia

  • The video was filmed in 1996 near the Teotihuacan pyramids outside Mexico City, before the single's release in 1997.
  • The Mexico shoot became part of the origin story of Mochilla, the production company later formed by photographers B+ and Eric Coleman. They were dissatisfied with the way mainstream music videos were being made and wanted a more mobile, low-production approach.
  • DJ Shadow later described "High Noon" as an angry track. He made it after the whirlwind around his debut album, *Endtroducing.....*, left him feeling manipulated and disconnected when he returned to the United States.
  • The track was unusually demanding to assemble on the MPC. Shadow said the drum programming occupied 64 pads on one MPC-3000, with additional material stored on another disk, bringing the drum parts to nearly 100 pads.
  • "High Noon" was issued by Mo Wax as a single on September 29, 1997, and later appeared on the 1998 compilation *Preemptive Strike*.
  • The single became one of DJ Shadow's strongest early UK chart performers, reaching No. 22 in October 1997.
  • The track's guitar-led, rock-inflected attack marked a contrast with the more atmospheric reputation Shadow had acquired through *Endtroducing.....*. Its construction still relied on the dense sampling and detailed rhythmic editing associated with his early work.
  • In 2001, the indie rock band Juno recorded a full-band cover of "High Noon" for a split release with the Dismemberment Plan.
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