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Malcolm McLaren - Buffalo Gals

Music Video
ArtistMalcolm McLaren
SongBuffalo Gals
DirectorJoe Butt
IntroNo
OutroNo
LabelIsland Records
Sound MixStereo
Technical Specificationscolour - format unknown

Wiki

Synopsis

Malcolm McLaren appears amid the emerging New York hip-hop scene, sharing the frame with the Rock Steady Crew and the World's Famous Supreme Team. The clip moves between breakdancing, turntable scratching, graffiti, street fashion and McLaren's playful square-dance-inspired performance. Its loose, documentary-like presentation captures hip-hop as a live street culture rather than a polished pop spectacle, while models in McLaren and Vivienne Westwood designs add a distinctly London fashion angle to the American urban imagery.

Factoids & Trivia

  • The video helped introduce hip-hop's visual language to a broad British television audience in December 1982. It showed breakdancing, graffiti and DJ scratching at a time when most UK viewers had little direct exposure to the culture.
  • The Rock Steady Crew are among the video's most memorable participants. Their spins, freezes and floorwork made a particularly strong impression on British youth and helped fuel the first major breakdancing craze in the United Kingdom.
  • The World's Famous Supreme Team contributed the scratching and DJ presence associated with the record. Their turntable work was central to McLaren's attempt to combine New York hip-hop with Appalachian square-dance calls.
  • The clip also functions as a fashion showcase. Models wear pieces from the autumn/winter 1982-83 collection associated with McLaren and Vivienne Westwood, contrasting with the tracksuits, sneakers and Kangol hats worn by the breakers.
  • "Buffalo Gals" first aired on the BBC's *Top of the Pops* on December 16, 1982. The appearance gave the video an unusually influential platform and helped establish the song as more than a novelty record.
  • The video became an important reference point for later British hip-hop and dance videos. Its use of real street dancers rather than tightly choreographed pop performers helped establish a more spontaneous visual style.
  • McLaren's record label initially resisted releasing the song, reportedly dismissing it as commercially unacceptable. After the track generated strong radio interest, it was released and the video became a key part of its impact.
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